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A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. Monsters are very often depicted as dangerous and aggressive with a strange, grotesque appearance that causes terror and fear. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts and spirits, zombies or cannibals, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process.


Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek myth, Minos does not sacrifice to Poseidon the white bull which the god sent him, so as punishment Poseidon makes Minos' wife, Pasiphaë, fall in love with the bull. She copulates with the beast, and gives birth to the man with a bull's head, the Minotaur). Human monsters are those who by birth were never fully human (Medusa and her Gorgon sisters) or who through some supernatural or unnatural act lost their humanity (werewolves, Frankenstein's monster), and so who can no longer, or who never could, follow the moral law of human society.




monster



Monsters may also be depicted as misunderstood and friendly creatures who frighten individuals away without wanting to, or may be so large, strong and clumsy that they cause unintentional damage or death. Some monsters in fiction are depicted as mischievous and boisterous but not necessarily threatening (such as a sly goblin), while others may be docile but prone to becoming angry or hungry, thus needing to be tamed and taught to resist savage urges, or killed if they cannot be handled or controlled successfully.


Monsters pre-date written history, and the academic study of the particular cultural notions expressed in a society's ideas of monsters is known as monstrophy.[1] Monsters have appeared in literature and in feature-length films. Well-known monsters in fiction include Count Dracula, Frankenstein's monster, werewolves, vampires, demons, mummies, and zombies.


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In the words of Tina Marie Boyer, assistant professor of medieval German literature at Wake Forest University, "monsters do not emerge out of a cultural void; they have a literary and cultural heritage".[3]


In the religious context of ancient Greeks and Romans, monsters were seen as signs of "divine displeasure", and it was thought that birth defects were especially ominous, being "an unnatural event" or "a malfunctioning of nature".[4]


In spite of this, mythological monsters such as the Hydra and Medusa are not natural beings, but divine entities. This seems to be a holdover from Proto-Indo-European religion and other belief systems, in which the divisions between "spirit," "monster," and "god" were less evident.


The history of monsters in fiction is long. For instance, Grendel in the epic poem Beowulf is an archetypal monster: deformed, brutal, and with enormous strength, he raids a human settlement nightly to slay and feed on his victims. The modern literary monster has its roots in examples such as the monster in Mary Shelley's Frankenstein and the vampire in Bram Stoker's Dracula.


Monsters are a staple of fantasy fiction, horror fiction, and science fiction (where the monsters are often extraterrestrial in nature). There also exists monster erotica, a subgenre of erotic fiction that involves monsters.


During the age of silent films, monsters tended to be human-sized, e.g. Frankenstein's monster, the Golem, werewolves and vampires. The film Siegfried featured a dragon that consisted of stop-motion animated models, as in RKO's King Kong, the first giant monster film of the sound era.


Universal Studios specialized in monsters, with Bela Lugosi's reprisal of his stage role, Dracula, and Boris Karloff playing Frankenstein's monster. The studio also made several lesser films, such as Man-Made Monster, starring Lon Chaney Jr. as a carnival side-show worker who is turned into an electrically charged killer, able to dispatch victims merely by touching them, causing death by electrocution.


Werewolves were introduced in films during this period, and similar creatures were presented in Cat People. Mummies were cinematically depicted as fearsome monsters as well. As for giant creatures, the cliffhanger of the first episode of the 1936 Flash Gordon serial did not use a costumed actor, instead using real-life lizards to depict a pair of battling dragons via use of camera perspective. However, the cliffhanger of the ninth episode of the same serial had a man in a rubber suit play the Fire Dragon, which picks up a doll representing Flash in its claws. The cinematic monster cycle eventually wore thin, having a comedic turn in Abbott and Costello Meet Frankenstein (1948).


Britain's Hammer Film Productions brought color to the monster movies in the late 1950s. Around this time, the earlier Universal films were usually shown on American television by independent stations (rather than network stations) by using announcers with strange personas, who gained legions of young fans. Although they have since changed considerably, movie monsters did not entirely disappear from the big screen as they did in the late 1940s.


Occasionally, monsters are depicted as friendly or misunderstood creatures. King Kong and Frankenstein's monster are two examples of misunderstood creatures. Frankenstein's monster is frequently depicted in this manner, in films such as Monster Squad and Van Helsing. The Hulk is an example of the "Monster as Hero" archetype. The theme of the "Friendly Monster" is pervasive in pop-culture. Chewbacca, Elmo, and Shrek are notable examples of friendly "monsters". The monster characters of Pixar's Monsters, Inc. franchise scare (and later entertain) children in order to create energy for running machinery in their home world, while the furry monsters of The Muppets and Sesame Street live in harmony with animals and humans alike. Japanese culture also commonly features monsters which are benevolent or likable, with the most famous examples being the Pokémon franchise and the pioneering anime My Neighbor Totoro. The book series/webisodes/toy line of Monster High is another example.


Especially in role-playing games, "monster" is a catch-all term for hostile characters that are fought by the player. Sentient fictional races are usually not referred to as monsters. At other times, the term can carry a neutral connotation, such as in the Pokémon franchise, where it is used to refer to cute fictional creatures that resemble real-world animals. Characters in games may refer to all of such creatures as "monsters".


President Trump referred to California Sen. Kamala Harris as "this monster" in an interview on Thursday, a continuation of his pattern of attacking Black women with demeaning insults. The president has previously reserved the term "monster" for terrorists, murders and major natural disasters.


Trump's verbal onslaught came the morning after Harris and Vice President Pence met for the vice presidential debate in Salt Lake City. It drew outsized attention as Trump continues to recover from COVID-19. In a telephone interview on Thursday morning on the Fox Business Channel, Trump referred to Harris as "this monster that was onstage with Mike Pence, who destroyed her last night, by the way."


early 14c., monstre, "malformed animal or human, creature afflicted with a birth defect," from Old French monstre, mostre "monster, monstrosity" (12c.), and directly from Latin monstrum "divine omen (especially one indicating misfortune), portent, sign; abnormal shape; monster, monstrosity," figuratively "repulsive character, object of dread, awful deed, abomination," a derivative of monere "to remind, bring to (one's) recollection, tell (of); admonish, advise, warn, instruct, teach," from PIE *moneie- "to make think of, remind," suffixed (causative) form of root *men- (1) "to think."


Abnormal or prodigious animals were regarded as signs or omens of impending evil. Extended by late 14c. to fabulous animals composed of parts of creatures (centaur, griffin, etc.). Meaning "animal of vast size" is from 1520s; sense of "person of inhuman cruelty or wickedness, person regarded with horror because of moral deformity" is from 1550s. As an adjective, "of extraordinary size," from 1837. In Old English, the monster Grendel was an aglæca, a word related to aglæc "calamity, terror, distress, oppression." Monster movie "movie featuring a monster as a leading element," is by 1958 (monster film is from 1941).


Unlike previous Diablo games, most monsters belong to a family archetype that each have their own distinct personalities and backstories. This also means they have their own combat styles and niches, so fighting them can be tricky and sometimes downright frustrating.


Mostly found in Kehjistan and Dry Stepps, they're always up to no good, bullying innocent humans and stealing whatever they can. While they're not technically monsters, they are enough of a threat and have a wide presence across the lands. They even get into fights with other monsters!


The Skeleton Family are the OG's of Diablo monsters. Their weaponry are the run of the mill bows, rapiers and axes. These guys hang out in the Fractured Peaks and Kehjistan more than anywhere else, but they can be found wandering across all parts of the world.


Here is The Arena's Viability Ranking of the Abyssal monsters from OP Rank to F Rank. OP monsters are the most useful choice on your team and F ones are not recommended. Only Abyssal monsters are covered in this ranking.


This list is based around a monster's performance in The Arena (PvP), NOT Team Wars, Duels, etc. Be advised that because the meta is constantly changing, this ranking can and will change in accordance to changes in a monster's performance in the PvP environment. Monsters are ranked based on their performance at Rank 5 with optimal setups, as this format provides the most accurate representation of the PvP environment. While we try to keep this list as objective as possible, these rankings are purely community-made. Please use this list as a supplementary teambuilding resource rather than an official ranking.


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